![]() His swordlike cane does most of the work, but in one memorable sequence he peppers a passage with motion-activated doorbells. (There are no pencils in eye sockets this go-round, but get ready for our hero’s first dalliance with nunchucks.) Caine also presents a fun creative challenge: Rather than his blindness lending him preternatural fighting ability, he must use his wits and weapons to sense his attackers coming. As in the third film, John brandishes and discards weapon with the swiftness of a video game character, finding creative uses for every cudgel. But if your eyes tend to glaze over during extended fight scenes, have no fear. Akira gets some of the best choreography of the film, letting arrows fly as she launches herself from villain to villain in her Katniss Everdeen-meets-dominatrix best.įive choreographers, led by stunt coordinator Scott Rogers (“John Wick 3: Parabellum”), oversaw a record 14 action sequences to get this movie made. Pop star Rina Sawayama makes a welcome addition as Akira, Concierge of the Osaka Continental and daughter to its owner, another old pal of John’s named Shimazu (Hiroyuki Sanada, “Sunshine,” “Bullet Train”). ![]() Master cinematographer Dan Lausten (“Crimson Peak” and “John Wicks 2 and 3”) takes unabashed advantage of that city’s neon-soaked aesthetic, and Reeves and Yen have their first face-off. The scenes at the Osaka Continental are particularly yummy. No retribution is too ridiculous, no massacre too jazzy. Final ‘John Wick 4’ Trailer Has Keanu Reeves Facing Off Against Action Movie Royalty
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